"Erin Aldridge Orr had a tough job as costume designer on this project. On the one hand, the film is contemporary, but on the other, the wardrobes needed to capture specificity without history to lean on. While I doubt she is going to get recognized for her efforts here, the costume design was fundamental in character building and serves to heighten the disparity between the characters we associate with as the audience and those figures of authority who act as an oppressive catalyst."